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Published: 09/13/2019

Keywords: The aesthetic, the discursive, forms of living, forms of thinking, cultural-psychological type of personality, expositional triad in the post-modern period.

Available online: 13.09.2019

To cite this article:

Sergey Dzikevich Institutional Transformation of Expositional Art-Spaces Within Post-Modern Cultural Media. // Aesthetica Universalis 2019. 3. 93-123.

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2019, 3

Sergey A. Dzikevich Lomonosov Moscow State University

Abstract

This article is an attempt of re-thinking the situation with art-spaces under post-modern conditions in culture. Scholars must pay attention to the fact that psychical types of the role that art plays in societal connections and social affairs is permanently changing and now days it’s the result of fundamental transformation that can’t be divided from other institutional changes in culture. These changes could hardly be understood without reconstruсtion of psychical dispositions that are characteristic for different periods of history. Here we try to do such a work that could help to evaluate the place of art-spaces in the contemporary type of society.

Keywords: The aesthetic, the discursive, forms of living, forms of thinking, cultural-psychological type of personality, expositional triad in the post-modern period.

Pages: 93-123

References

  1. Berleant, A. 1970. The Aesthetic Field. A Phenomenology of Aesthetic Experience. Springfield, Illinois: Charles C. Thomas.

  2. Dzikevich, S. A. 1998. Introduction to Aesthetics. Moscow (in Russian); Dzikevich, S.A. 2004, 2017. Aesthetics of Advertising. Aesthetic Structure of Advertising Communication. Moscow (in Russian); Dzikevich, S.A. 2011. Aesthetics: the Beginnings of Classical Theory. Moscow (in Russian); Dzikevich, S. A. 2015. Aesthetics of Ontology. Epistemological Analytics of the Knowledge of Being. (Second edition). Moscow (in Russian).

  3. Kant, I. I998. Critique of Pure Reason / Translated and edited by Paul Guyer and Allen W. Wood. Cambridge: Cambridge University Press.

  4. Maritain, J. 1964. Court traite de 1’existence et de I’existant. 2nd edition. Paris. P. 101—138).

  5. Dzikevich, E.., Dzikevich, S.A. 2016. Introduction to the problems of contemporary philosophy // Modern Philosophy (XX — XXI centuries). Moscow. (in Russian).

  6. Maslow, A. H. 1962, 2014. Towards a Psychology of Being. Floyd, VA.

  7. Huizinga, J. 1996. The Autumn of the Middle Ages. Chicago / Translated by R.Payton and U.Mammitzch.

  8. Granovsky, T. N. 2018. Lectures on the history of the Middle Ages. Moscow (in Russian).

  9. Lyotard, J.-F. 1984. The Postmodern Condition: A Report on Knowledge. Translation by G.Bennington and B.Massumi. Foreword by F. Jameson. Minneapolis.

  10. Jencks, Ch. 1987. Post-Modernism, The New Classicism in Art and Architecture. N.Y.: Rizzoli, L.: Academy.

  11. Dzikevich, S. A. 2019. Contemporary Art as Aesthetic Interface of Human Living in The Landscape: A Historical Journey to Early Berleant’s Theoretical Roots and Back too the Present // Aesthetica Universalis. Vol. 2 (6). P. 49 — 61.


To cite this article:

Sergey Dzikevich Institutional Transformation of Expositional Art-Spaces Within Post-Modern Cultural Media. // Aesthetica Universalis 2019. 3. 93-123. doi:

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