Articles

Victor Krutous Lomonosov Moscow State University

Evgeny V. Dobrov Lomonosov Moscow State University

References

1. Gadamer, H.-G. Heidegger’s Ways. NY: State University of New York Press, 1994.
   
2. Bychkov, V.V., Bychkov, O.V. Estetika / Novaya filosofskaya entsiklopediya [Aesthetics / New Filosophical Encyclopedia]. V.4. Moscow: Mysl’, 2001. In Russian.
3. Lyotard, J.-F. The Posmodern Condition: A Report on Knowledge. Minneapolis: University of Minnesota Press, 1984.
4. Amerikanskaya filosofiya iskusstva: osnovnye kontseptsii vtoroi poloviny XX veka — antiessentsializm, pertseptualizm, institutsionalizm. Antologiya [American Philosophy of Art: the Main Concepts of the Second Half of the XX Century — Anti-essentialism, Perceptualism, Institutionalism. Anthology]. Ekaterinburg: Business book, Bishkek: Odyssey, 1997. In Russian.
5. Postmodernizm. Entsiklopediya [Postmodernism. Encyclopedia]. Minsk: Interpresservis, 2001. In Russian.
6. Tatarkiewicz, W. A History of Six Ideas: An Essay in Aesthetics. Melbourne international philosophy series. V.5. Warszawa: 1980.
7. See: Meumann, E. Einführung in die Ästhetik der Gegenwart. Leipzig: Quelle & Meyer, 1908.
8. Rousseau, J.-J. Letter on French Music. N.Y.: State University of New York at Binghamton, Department of Comparative Literature, 1975.
9. See: Lishaev, S.A. Estetika Drugogo [Aesthetics of the Other]. Saint Petersburg: SPbU Publ., 2008. In Russian.
10. See: Migunov, A. Marginal’noe iskusstvo [Marginal art]. Moscow: MSU Publ., 1999. In Russian.
11. Kolli, D. Posleslovie k kn.: Nietzsche F. Polnoe sobranie sochinenii [The Complete Works of Nietzsche F.]. V.13. Moscow: Kul’turnaia revoliutsiia, 2006. P.595. In Russian.
12. Panova, O. «Tsvetnye miry»: amerikanskaia literatura v poiskakh natsional’noi samobytnosti [The Worlds of Color: the Quest for the National Identity in American Literature]. Moscow: MSU Publ., 2015. In Russian.
13. Dickie, G. Defining Art // American Philosophical Quarterly. Vol.6. No. 3. 1969.
14. Burov, A. Esteticheskaia sushchnost’ iskusstva [Aesthetic Essential of the Art]. Moscow.: Iskusstvo, 1956. In Russian.
15. Stolovich, L. Zhizn’–tvorchestvo–chelovek. Funktsii khudozhestvennoi deiatel’nosti [Life-Creation-Man: the Function of the Creative Activities]. Moscow: Politizdat, 1985. I, §3. In Russian. 
16. See: Bychkov, V.V., Mankovskaya, N.B., Ivanov, V.V. Trialog [Trialogue]. Moscow: IFRAN, 2007. Pp.75–78; Bychkov, V.V. Postneklassicheskaja filosofija iskusstva. Sistema osnovnyh ponjatij [Post-non-classical Philosophy of Art] // Iskusstvoznanie, 2010, No3—4; Bychkov, V.V. Hudozhestvennost’ kak sushhnostnyj princip iskusstva [The Artisticity as an Essential Principle of Art] // Voprosy filosofii, 2015, No3; Bychkov, V.V. Forma — soderzhanie v iskusstve kak osnova hudozhestvennosti [Form — Content in Art as the Foundation of Artisticity] // Voprosy filosofii, 2016, No5, etc. In Russian.
17. Voprosy filosofii. 2015. No3. In Russian.
18. Iskusstvoznanie. 2010. No3–4. In Russian.
19. Mankovskaya, N.B. Fenomen postmodernisma. Hudojestvenno- esteticheskiy rakurs (Phenomenon of Postmodernism. Artistic- Aesthetic Aspect). Moscow — Saint Petersbourg: Universitetskaya kniga, 2009. In Russian.
20. Asmus, V.F. Immanuil Kant. M.: Nauka, 1973. In Russian.
21. Dmitrieva, N. K probleme interpretacii [To the Problem of Interpretation] // Mir iskusstv. Al’manah. Moscow: RIK «Kul’tura», 1995. In Russian.
22. See: Belyaev, G.A. Stanovlenie jesteticheskoj teorii. Metodologicheskie ocherki [The Aesthetic Theory Formation. Methodological Essays.]. Moscow: SIAS Publ., 1998. In Russian.
23. Gadamer, H.-G. Truth and Method. N.Y.: Seabury Press, 1975.
24. Nejedlý, Z. Krise estetik» [The Crisis of Aesthetics]. Česká kultura, 1 (1912—1913); Krizis jestetiki / Cheshskaja i slovackaja jestetika, XIX–XX vv. [The Crisis of Aesthetics. / Chezh and Slovak Aesthetics]. V.2. Moscow: Iskusstvo, 1985. In Russian.
25. Baumgarten, A.G. Aesthetica. 2 Bände. Kleyb, Frankfurt (Oder) 1750/1758; Jestetika. §§1,14,71. V.2. Moscow: Iskusstvo, 1964.
26. Bychkov, V.V. Estetika [Aesthetics]. Moscow: Akademicheskij Proekt, Fond «Mir», 2011. Ch.15, §4. In Russian.
27. Bychkov, V.V. Jesteticheskaja aura bytija. Sovremennaja jestetika kak nauka i filosofija iskusstva [The Aesthetic Aura of Being. Modern Aesthetics as the Science and the Philosophy of the Art]. Moscow: Izd- vo MBA, 2010. Ch.VIII. Can the paracategories described by Bychkov be considered as representative of the new artistics or the new aesthetics? I tend to think it is still not possible. Because by themselves they are still fundamentally disintegrated and asystemic.
28. Ortega y Gasset, J. The Dehumanization of Art and Other Essays on Art, Culture, and Literature. Princeton University Press, 2019.
29. Simmel, G. Conflict. Glencoe, Illinois: The Free Press, 1955.
30. Berdyaev, N. The Crisis of Art. Frsj Publications, 2018.
31. Marx, K. A Contribution to the Critique of Political Economy. Moscow: Progress Publishers, 1970.
32. Gadamer, H.G. The Relevance of the Beautiful and Other Essays. Cambridge: Cambridge University Press, 1986.
33. Krivtsun, O.A. Osnovnye ponjatija teorii iskusstva. Jenciklopedicheskij slovar’ [The Main Concepts of the Art Theory. The Encyclopedic Dictionary]. Moscow — Saint-Petersbourg: Centr gumanitarnyh iniciativ, 2018. In Russian.
34. Losev, A.F., Taho–Godi M.A. Jestetika prirody. Priroda i ee stilevye funkcii u R.Rollana. [The Aesthetics of Nature. The Nature and her Functions of Style in R.Rolland’ works] Kyiv: Collegium, 1998.
35. Berleant, A. The Historicity of Aesthetics. British Journal of Aesthetics, Vol. 26, Issue 2, Spring 1986. Pp.101—111; Vol.26, Issue 3, Summer 1986.
36. Bychkov, V.V. Hudozhestvennost’ kak sushhnostnyj princip iskusstva [The Artisticity as an Essential Principle of Art] // Voprosy filosofii, 2015, No3; 34. Bychkov, V.V. Forma — soderzhanie v iskusstve kak osnova hudozhestvennosti [Form — Content in Art as the Foundation of Artisticity] // Voprosy filosofii, 2016, No5. In Russian.