Theoretical quarterly being published by Faculty of Philosophy at Lomonosov Moscow State University

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Keywords: sensation, perception, image, reason, mind, idea, scheme, taste, art, genius, creativity, game

Available online: 12.06.2020

To cite this article:

Marat N. Afasizhev Non-Object Transcendental Aesthetics of Immanuel Kant. // Aesthetica Universalis 2020. 1. 99-126.

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2020, 1

Marat Nurbievich Afasizhev

Abstract

Translated from Russian by Sergey Dzikevich

The article analyzes I. Kant’s aesthetics in the light of modern scientific ideas about this field of knowledge, it describes the origins of his methodology in investigations of the structure and processes of art and artistic creation. This text is rethinking nature and influence of I. Kant’s aesthetic ideas on the theory of aesthetics in general, theoretical concepts of artistic creation as well as on some phenomena and practices of modern art inspired by Kant’s theoretical constructions at the turn of the 19th and 20th centuries.


Keywords: sensation, perception, image, reason, mind, idea, scheme, taste, art, genius, creativity, game

Pages: 99-126

To cite this article:

Marat N. Afasizhev Non-Object Transcendental Aesthetics of Immanuel Kant. // Aesthetica Universalis 2020. 1. 99-126. doi:

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