Крутоус Виктор
Московский государственный университет имени М.В.Ломоносова
Добров Евгений Валерьевич
Московский государственный университет имени М.В.Ломоносова
Аннотация
Это перевод на английский язык оригинальной статьи на русском языке, опубликованной в предыдущем номере AU: Крутоус, B. Категории «эстетическое» и «художественное» в контексте проблематизации предмета эстетики // Aesthetica Universalis (Всеобщая эстетика). Vol. 2—3 (14—15). C. 180—212.
Ключевые слова:
эстетика; художественный смысл; содержание; паракатегории; формы; неискусство; неклассическое; классическое; художественное; искусство; природа; эстетический опыт; эстетическое
Страницы:
141-162
Литература
- Gadamer, H.-G. Heidegger’s Ways. NY: State University of New York Press, 1994.
- Bychkov, V.V., Bychkov, O.V. Estetika / Novaya filosofskaya entsiklopediya [Aesthetics / New Filosophical Encyclopedia]. V.4. Moscow: Mysl’, 2001. In Russian.
- Lyotard, J.-F. The Posmodern Condition: A Report on Knowledge. Minneapolis: University of Minnesota Press, 1984.
- Amerikanskaya filosofiya iskusstva: osnovnye kontseptsii vtoroi poloviny XX veka — antiessentsializm, pertseptualizm, institutsionalizm. Antologiya [American Philosophy of Art: the Main Concepts of the Second Half of the XX Century — Anti-essentialism, Perceptualism, Institutionalism. Anthology]. Ekaterinburg: Business book, Bishkek: Odyssey, 1997. In Russian.
- Postmodernizm. Entsiklopediya [Postmodernism. Encyclopedia]. Minsk: Interpresservis, 2001. In Russian.
- Tatarkiewicz, W. A History of Six Ideas: An Essay in Aesthetics. Melbourne international philosophy series. V.5. Warszawa: 1980.
- See: Meumann, E. Einführung in die Ästhetik der Gegenwart. Leipzig: Quelle & Meyer, 1908.
- Rousseau, J.-J. Letter on French Music. N.Y.: State University of New York at Binghamton, Department of Comparative Literature, 1975.
- See: Lishaev, S.A. Estetika Drugogo [Aesthetics of the Other]. Saint Petersburg: SPbU Publ., 2008. In Russian.
- See: Migunov, A. Marginal’noe iskusstvo [Marginal art]. Moscow: MSU Publ., 1999. In Russian.
- Kolli, D. Posleslovie k kn.: Nietzsche F. Polnoe sobranie sochinenii [The Complete Works of Nietzsche F.]. V.13. Moscow: Kul’turnaia revoliutsiia, 2006. P.595. In Russian.
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- See: Bychkov, V.V., Mankovskaya, N.B., Ivanov, V.V. Trialog [Trialogue]. Moscow: IFRAN, 2007. Pp.75–78; Bychkov, V.V. Postneklassicheskaja filosofija iskusstva. Sistema osnovnyh ponjatij [Post-non-classical Philosophy of Art] // Iskusstvoznanie, 2010, No3—4; Bychkov, V.V. Hudozhestvennost’ kak sushhnostnyj princip iskusstva [The Artisticity as an Essential Principle of Art] // Voprosy filosofii, 2015, No3; Bychkov, V.V. Forma — soderzhanie v iskusstve kak osnova hudozhestvennosti [Form — Content in Art as the Foundation of Artisticity] // Voprosy filosofii, 2016, No5, etc. In Russian.
- Voprosy filosofii. 2015. No3. In Russian.
- Iskusstvoznanie. 2010. No3–4. In Russian.
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- Asmus, V.F. Immanuil Kant. M.: Nauka, 1973. In Russian.
- Dmitrieva, N. K probleme interpretacii [To the Problem of Interpretation] // Mir iskusstv. Al’manah. Moscow: RIK «Kul’tura», 1995. In Russian.
- See: Belyaev, G.A. Stanovlenie jesteticheskoj teorii. Metodologicheskie ocherki [The Aesthetic Theory Formation. Methodological Essays.]. Moscow: SIAS Publ., 1998. In Russian.
- Gadamer, H.-G. Truth and Method. N.Y.: Seabury Press, 1975.
- Nejedlý, Z. Krise estetik» [The Crisis of Aesthetics]. Česká kultura, 1 (1912—1913); Krizis jestetiki / Cheshskaja i slovackaja jestetika, XIX–XX vv. [The Crisis of Aesthetics. / Chezh and Slovak Aesthetics]. V.2. Moscow: Iskusstvo, 1985. In Russian.
- Baumgarten, A.G. Aesthetica. 2 Bände. Kleyb, Frankfurt (Oder) 1750/1758; Jestetika. §§1,14,71. V.2. Moscow: Iskusstvo, 1964.
- Bychkov, V.V. Estetika [Aesthetics]. Moscow: Akademicheskij Proekt, Fond «Mir», 2011. Ch.15, §4. In Russian.
- Bychkov, V.V. Jesteticheskaja aura bytija. Sovremennaja jestetika kak nauka i filosofija iskusstva [The Aesthetic Aura of Being. Modern Aesthetics as the Science and the Philosophy of the Art]. Moscow: Izd- vo MBA, 2010. Ch.VIII. Can the paracategories described by Bychkov be considered as representative of the new artistics or the new aesthetics? I tend to think it is still not possible. Because by themselves they are still fundamentally disintegrated and asystemic.
- Ortega y Gasset, J. The Dehumanization of Art and Other Essays on Art, Culture, and Literature. Princeton University Press, 2019.
- Simmel, G. Conflict. Glencoe, Illinois: The Free Press, 1955.
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- Gadamer, H.G. The Relevance of the Beautiful and Other Essays. Cambridge: Cambridge University Press, 1986.
- Krivtsun, O.A. Osnovnye ponjatija teorii iskusstva. Jenciklopedicheskij slovar’ [The Main Concepts of the Art Theory. The Encyclopedic Dictionary]. Moscow — Saint-Petersbourg: Centr gumanitarnyh iniciativ, 2018. In Russian.
- Losev, A.F., Taho–Godi M.A. Jestetika prirody. Priroda i ee stilevye funkcii u R.Rollana. [The Aesthetics of Nature. The Nature and her Functions of Style in R.Rolland’ works] Kyiv: Collegium, 1998.
- Berleant, A. The Historicity of Aesthetics. British Journal of Aesthetics, Vol. 26, Issue 2, Spring 1986. Pp.101—111; Vol.26, Issue 3, Summer 1986.
- Bychkov, V.V. Hudozhestvennost’ kak sushhnostnyj princip iskusstva [The Artisticity as an Essential Principle of Art] // Voprosy filosofii, 2015, No3; 34. Bychkov, V.V. Forma — soderzhanie v iskusstve kak osnova hudozhestvennosti [Form — Content in Art as the Foundation of Artisticity] // Voprosy filosofii, 2016, No5. In Russian.
Для цитирования статьи:
Крутоус В., Добров Е.В.
Категории «эстетическое» и «художественное» в контексте проблематизации предмета эстетики. // Всеобщая эстетика. Ежеквартальный теоретический журнал.
2022. № 1. c.141-162.
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